| C G | Em D || C G | Em D | [Verse 1]C G Oh, well imagineEm D Oh, I'm pacing the pews in a church corridorC G And I can't help but to hearEm D No, I can't help but to hear an exchanging of wordsC G What a beautiful weddingEm D C What a beautiful wedding, says a bridesmaid to a waiterG what a shameEm D Poor groom's bride is a whore [Chorus]C G I chime in with aEm D C Haven't you people ever heard of closing the goddamn door, noG Em It's much better to face these kind of thingsD With another Miller Light up on the porchC G YeahEm D C Haven't you people ever heard of closing the daggum door, noG Em It's much better to face these kind of thingsD C G Em D With a sense of[Verse 2]C G Oh, well, in factEm If you look at it this wayD C Technically, our marriage is savedG Well this calls for a toastEm D C So pour the champagne, pour the champagneG In factEm I mean look at it this wayD C Technically, our marriage is savedG This calls for a toastEm D So pour the champagneAm7 Bm C WoohAm7 Bm C D Poor the champagne Yeah [Chorus]C G Oh, I chime in with aEm D C Haven't you people ever heard of closing the goddamn door, noG Em It's much better to face these kind of thingsD With another Miller Light up on the porchC G YeahEm D C Haven't you people ever heard of closing the daggum door, noG Em It's much better to face these kind of thingsD C G Em D With a sense of poise and rationality [Solo]| Em | D Bm|| C | G || D | D [Chorus]C G Well, I chime inEm D C Haven't you people ever heard of closing that goddang doorG Em D It's much better to face these kind of thingsC G With a sense of yeahEm D Bm C Haven't you people ever heard of closing the goddang door, noG Em D It's much better to face these kind of things With a sense of [Outro]| C G | Em D || C G | Em D | Girl| C G | Em D || C G | Em D
I Write Sins Not Tractors
Alex Melton
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Continua depois do anúncio
Tom: