Intro: F# C# F# C# F# C# G#C# G# F# In the boardroom the quiet man takes a second to think what to do;C#F# C# G# He's out of his seat and he's starting to speak and he hears his own voice;C# G# F# For years and years he's done nothing but bear down, and put up with all their demands;C#F# C# G# She sits like a viper and offers a clock without giving a damn...He takes it;C# G# F# C# "Honour forbids me, but honour be damned, you have wined till you got what you want;F# C# G# I did the work and when things were going badly you left us to rot";Ponte: F# C# F# C# F# C# G#, etc.C# G# F# C# He locked the door of the boardroom and turned, like the scene from the old country song;F# C# G# Towering over the table he is lost; he is drunk with it all:C# G# F# "You only came back to us when we'd turned it around, when we'd rescued your arse from theC# fire;F# C# G# Your contribution to all that we did is to say it was dire"Ponte 2: F# C# F# C# F# C# G#C# G# F# C# "Night after day after night I've been working, despite of you fucking us all;F# C# G# Now I'm going to die, I don't care if you cry, just please leave me alone;C# G# F# And spare those tears for yourself, we've had those 'till we're sick, you should leave whileC# you still the chance";F# C# F# C# The others were shocked at this shameful display at the end of an hounoured career;F# C# G# He paused in the silence to pull down his tie and observe the melee.
Take Your Carriage Clock And Shove It
Belle And Sebastian
- C#4
- F#
- G#
Tom:
Composição: Geddes Christopher, Belle & Sebastian, Martin Sarah e Jackson (Gb) Stephen
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