C C# D# G# Why do words like "love" and actions of affectionC C# D# G# Get taken as a threat or promise of devotionC C# D# G# Instead of just acceptedF A# D# For the beauty that they have? [Verse 2]C C# D# G# When you tell someone that you love themC C# D# G# They act like you're taking away all their freedomC C# D# G# But it's givingF A# D# It's not taking away [Chorus]G# C# Love and friendship don't restrict and bindF D# Those chains are only in your mindG# Doesn't have to be, doesn't have to beC# Doesn't have to be, doesn't have to beA# D# Does not have to beG# D#/G That wayF D# That wayC# G#/C A# D# That way [Bridge]G# G#/C People act like it's something to be ashamed ofF D# To lock away or hide behind closed doorsC# G#/C A# D# This kind of secrecy only breeds social schemingG# G#/C F D# Gossip, lies, and misunderstandingC# G#/C A# D# It doesn't seem that appealing, that appealing to me [Verse 3]C C# D# G# Why do words like "love" and actions of affectionC C# D# G# Get taken as a threat or promise of devotionC C# D# G# Instead of just acceptedF A# D# For the beauty that they have? [Verse 4]C C# D# G# Why bleed all the meaning out of emotionsC C# D# G# With all kinds of weird connotations?C C# D# G# Words will fuck us up enough, enoughF A# D# ...Enough by themselves [Chorus]G# C# Love and friendship don't restrict and bindF D# Those chains are only in your mindG# Doesn't have to be, doesn't have to beC# Doesn't have to be, doesn't have to beA# D# G# Does not have to be that way
Closed Doors Closed Minds
Crimpshrine
- A#
- C
- C#4
- D#3
- D#/G
- F
- G#
- G#/C
Continua depois do anúncio
Tom: