Matters Of Blood And Connection

Dashboard Confessional

  • Am
  • C
  • F
  • G
Tom:
Intro:
G C
G Am Why do you speak with that accent now?
F C Everyone knows you're not from the streets.
G Am You went to prep school in Cambridge,
F C With daughters and sons of the privileged elite.
G Am Their fortunes from shipping and industry,
F C Their futures in yacht clubs and tails.
G Am So why do you speak with that accent now?
F Am Everyone knows you're moonlighting here.
F To avail yourself of your heritage,
C For a season or two in the sun.
G Draw well from the funds in the trust,
Am Thanks to the fathers of fortunate sons,
F For us it's a matter of charging the gates
C G For you it's a matter of blood and connections
C G C Of blood and connections.
G Am So who do you fool with that costume now?
F C Everyone knows you're not who you seem
G Am You've got a hard way about you
F Am For someone whose passage is already paid
F By the sins and the schemes of your father
C And the infinite reach of his arm
G Draw well from the funds in the trust,
Am Thanks to the fathers of fortunate sons,
F For us it's a matter of charging the gates
C For you it's a matter of blood
G Drink well from your bottomless cup
Am And bask in your good fortune
F For us it's a matter of charging the gates
G Am For you it's a matter of blood and connections
C So where will you be when you tire of the fun
F The escape, the charade, and your time in the sun
C I know everyone does their own reinvention
G Am But yours has a taste that's hard to swallow
C And what will you tell of your tenure with us?
F Will you build yourself up, like the size of your hunt?
C If they're anything like what you've been telling us,
G Those stories will make true believers
C Of the chumps and the fools.
G Am So why do you speak with that accent now?
F C Everyone knows you're not from the streets.
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Composição: Christopher Carrabba

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