Entombment Of a Machine

Drop-C (CGCFAD)

To clear up any issues on their tuning:
To record Entities, and their entire new demo for that matter, they downtuned their
to Drop A#, and now play all of their songs in that tuning, including at their live shows.

As usual,
. = palm muting
* = pinch harmonics
^ = bends

Intro Riff- This is pretty hard to make out, but if you listen really really close you
hear it. It's all just trem picked. Both guitars play this, by the way.
|---------------------------| 
|---------------------------| 
|---------------------------| 
|---------------------------| 
|--------------------3-4----| 
|1-1-4-4-1-1-3-3-0-0-----0-0| 


(0:07)
Guitar One-
|----------------| 
|----------------| 
|----------------| 
|----------------| 
|--------------2*| 
|0-4-3-4-4-3-4---| 
 . . . . . . .     

Guitar Two-
|----------------| 
|----------------| 
|----------------| 
|----------------| 
|--------------5*| 
|4-7-6-7-7-6-7---| 
 . . . . . . .     


(0:14)
Both Guitars
|-----------| 
|-----------| 
|-----------| 
|0---0-4-3-1| 
|0---0-4-3-1| 
|0---0-4-3-1| 
 .   . . . .  


(0:21)
Guitar One-
|---------------| 
|---------------| 
|---------------| 
|---------------| 
|---------------| 
|4-1-3-0-4-1-3-0| 
 . . . . . . . .  

Guitar Two-
|---------------| 
|---------------| 
|---------------| 
|---------------| 
|---------------| 
|7-4-6-3-7-4-6-3| 
 . . . . . . . .  


(0:23)
Both guitars, trem picked.
|----------------------| 
|----------------------| 
|----------------------| 
|----------------------| 
|---------------------0| 
|444444-111111-333333-0| 

That sick scream comes next.


(0:26)
Both guitars, trem pick each note as fast as you can.
|------------------------------------| 
|------------------------------------| 
|------------------------------------| 
|------------------------------------| 
|------------------------------------| 
|44444444-11111111-33333333-00000000-| 


(0:40)
Guitar One-
|----------| 
|----------| 
|----------| 
|4--1--3--0| 
|4--1--3--0| 
|4--1--3--0| 

Guitar Two goes back to this riff from earlier-
|-----------| 
|-----------| 
|-----------| 
|0---0-4-3-1| 
|0---0-4-3-1| 
|0---0-4-3-1| 
 .   . . . .  


(0:45)
Guitar One-
|-------| 
|-------| 
|-------| 
|-------| 
|-----4*| 
|000----| 
 ...      

Guitar Two-
|-------| 
|-------| 
|-------| 
|-------| 
|-----1*| 
|000----| 
 ...      


(0:46)
Both Guitars
|-----------| 
|-----------| 
|-----------| 
|0---0-4-3-1| 
|0---0-4-3-1| 
|0---0-4-3-1| 
 .   . . . .  

At 0:53, go back to the riff at 0:40.


(0:59)
Both Guitars-
|---------------------------| 
|---------------------------| 
|---------------------------| 
|---------------------------| 
|0-4-3-1----0-4-3-1--000-000| 
|0-4-3-1----0-4-3-1--000-000| 
 . . . .    . . . .  ... ...  


(1:13)
Both Guitars-
Trem Pick every single note.
|---------------------------------| 
|---------------------------------| 
|---------------------------------| 
|---------------------------------| 
|------5-----------------4--------| 
|5-7-8---8-7-5-7---4-6-7---7-6-4-6| 


(1:22)
Let each note ring out.
Guitar One-
|------| 
|------| 
|------| 
|-----0| 
|-----0| 
|1^---0| 
      .  

Guitar Two-
|------| 
|------| 
|------| 
|-----0| 
|-----0| 
|5^---0| 
      .  


(1:35)
Guitar One-
|--------------------------------------------------| 
|--------------------------------------------------| 
|--------------------------------------------------| 
|--------------------------------------------------| 
|------5------------5------------4------------4----| 
|5-7-8---8-7--5-7-8---8-7--4-6-7---7-6--4-6-7---7-6| 
 . . .   . .  . . .   . .  . . .   . .  . . .   . .  

Guitar Two-
|------| 
|------| 
|------| 
|-----0| 
|-----0| 
|5^---0| 
      .  


(1:47)
Both Guitars-
|--------------------------------------------------| 
|--------------------------------------------------| 
|--------------------------------------------------| 
|--------------------------------------------------| 
|------5------------5------------4----------4------| 
|5-7-8---8-7--5-7-8---8-7--4-6-7-----4-6-7---------| 
 . . .   . .  . . .   . .  . . .     . . .           


(1:59)
Both Guitars-
|----------------------| 
|----------------------| 
|----------------------| 
|----------------------| 
|111111111111-0000-0000| 
|111111111111-0000-0000| 
 ............ .... ....  


(2:05)
Guitar One-
|----------------------| 
|----------------------| 
|----------------------| 
|----------------------| 
|111111111111-0000-0000| 
|111111111111-0000-0000| 
 ............ .... ....  

Guitar Two-
|--------------------------| 
|--------------------------| 
|--------------------------| 
|--------------------------| 
|---5------5--------4-----4| 
|578-87-578-87---467---467-| 
 ... .. ... ..   ...   ...   


(2:11)
Guitar One-
|----------------------------------------------| 
|----------------------------------------------| 
|----------------------------------------------| 
|---------------------------------------------0| 
|-----5------6---------------5------6---------0| 
|00000--00000--5-8-4-7--00000--00000---5---1--0| 

Guitar Two-
|------------------------------------------------| 
|------------------------------------------------| 
|------------------------------------------------| 
|-----------------------------------------------0| 
|-----8------9-----------------8------9---------0| 
|00000--00000--8-11-7-10--00000--00000---5---1--0| 


(2:32)
Guitar One-
|----------------------------| 
|----------------------------| 
|----------------------------| 
|------------------------0000| 
|5---4h5p4---1h4p1---1h4-0000| 
|------------------------0000| 
                         ....  

The second time through, the second guitar plays this harmony:
|----------------------------| 
|----------------------------| 
|----------------------------| 
|------------------------0000| 
|8---7h8p7---4h7p4---4h7-0000| 
|------------------------0000| 
                         ....  


(2:39)
Both Guitars-
|----------------------------| 
|----------------------------| 
|----------------------------| 
|------------------------0000| 
|------------------------0000| 
|5---4h5p4---1h4p1---1h4-0000| 
                         ....  

The third and fourth time this riff is played, the second guitar plays this harmony:
|----------------------------| 
|----------------------------| 
|----------------------------| 
|------------------------0000| 
|------------------------0000| 
|8---7h8p7---4h7p7---4h7-0000| 
                         ....  


(2:52)
Both Guitars-
|----------------------------------------------------| 
|----------------------------------------------------| 
|----------------------------------------------------| 
|----------------------------------------------------| 
|0-0-1-000-4----0-1-0-4-4*----0-0-1-000-4----0-4-3-1-| 
|0-0-1-000-4----0-1-0-4-------0-0-1-000-4----0-4-3-1-| 
 . .   ...      . . . .       . .   ...      . . . .   

At 3:02, the riff above slows down, but it's still the same notes and rythym.
At 3:08, py tstwice instead of once.
|-------| 
|-------| 
|-------| 
|-------| 
|0-4-3-1| 
|0-4-3-1| 
 . . . .  


(3:12)
Guitar One (for the rest of the song):
|------------------------------------------------| 
|------------------------------------------------| 
|------------------------------------------------| 
|------------------------------------------------| 
|5-4-------5-4-------8-7------------8-7----------| 
|5-4-888---5-4-888---8-7-11-11-11---8-7-11-11-11-| 
 . .       . .       . .            . .            

Sometimes Guitar Two plays this in the background:
(All trem picked)
|--------------------------------------| 
|--------------------------------------| 
|--------------------------------------| 
|4----------------------4--------------| 
|------5-----2-----------------5------1| 
|--------------------------------------| 

After the big slowdown part thingy at (3:43), Guitar Two's part switches to this:
|--------------------------------------| 
|--------------------------------------| 
|--------------------------------------| 
|--------------------------------------| 
|5-4-444---5-4-444----8-7-777---8-7-777| 
|5-4-------5-4--------8-7-------8-7----| 
 . .       . .        . .       . .