• Am
  • C
  • E
  • F
  • Fm
Continua depois do anúncio
Tom:
C F I lost everything I thought I had
C F I lost everything that made me sad
C F but nothing is nothing and I know that
C F nothing is nothing and I ain't glad. [Verse 1] Part 2
C F Well I'm on the road for the book of truths
C F I'm on the search for silver loot
C F the maps are drawn all through the skies
C F I see the signs in strangers eyes. [Pre-Chorus]
E And all the animals are gone
F all the animals are gone [Chorus]
C Am Woah-oh, woah-oh, woah-oh, woah-oh
F You are a good sign
Fm that now is a good time
C Am Woah-oh, woah-oh, woah-oh, woah-oh
F You are a good sign
Fm that now is a good time. [Verse 2] Part 1
C F Saddle up your palomino
C F Grab it all, we'll go to Rio
C F Nothing is nothing and I know that
C F Nothing is nothing and I ain't glad. [Verse 2] Part 2
C F Let the storms all through your clothes
C F let the ink run down your nose
C F a whole life for you to see
C F maybe that's how it's supposed to be. [Pre-Chorus]
E And all the animals are gone
F all the animals are gone [Chorus]
C Am Woah-oh, woah-oh, woah-oh, woah-oh, woah-oh
F You are a good sign
Fm that now is a good time
C Am Woah-oh, woah-oh, woah-oh, woah-oh, woah-oh
F You are a good sign
Fm that now is a good time. [Solo]
C and F is played 8 times while this solo is played below > E|-15-13-12-------------------------------------------------| :|| B|----------15-13-12----------------------------------------| :|| G|-------------------14-13----------------------------------| :|| D|-------------------------15-14-12-------------------------| :|| A|----------------------------------15-14-12-14-15----------| :|| E|----------------------------------------------------------| :||
E And all the animals are gone
F all the animals are gone
C Am Woah-oh, woah-oh, woah-oh, woah-oh, woah-oh
F You are a good sign
Fm that now is a good time [Outro]
C Am Woah-oh, woah-oh, woah-oh, woah-oh, woah-oh
F You are a good sign
Fm *C that now is a good time.
Informações da música

Composição: Blunt Laser e Lisa Mitchell

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