Succexy

Metric

  • A
  • F#
  • G
Continua depois do anúncio
Tom:
Tabbed by: Stouffer Email: S* Tuning:EADGBe This was tabbed on an acoustic guitar. If playing electric, subsitute bar chords for powerchords.
F# G F# Lonesome for no one when
F# G F# The room was empty and
F# G F# War as we knew it was obsolete
F# G A F# G F# Nothing could beat complete denial
G A F#
F# G F# All we do is talk, sit, switch screens
G A F# As the homeland plans enemies
F# G F# All we do is talk, static split screens G A F# (F#) (Whammy/bend strings if on electric) As the homeland plans enemies
At 14s this keyboard riff kicks in and continues until the chorus: e|---------------------------------------------------------------------------| B|---------4-5/4-2---6/5-2---4-2---2--------------0-5/4-2---6/5-2------------| G|-------2---------4-------4-----4---4----------2---------4-------444--44----| D|-----4-------------------------------4------4------------------------------| A|---4-----------------------------------4--4--------------------------------| E|---------------------------------------------------------------------------|
Chorus
Invasion's so succexxy.... e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4----------x2--------------| D|--------6------6------6------6-------6------6-----444-44-------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------|
G F# Let's drink to the military
G F# The glass is empty
G F# Faces to fill and cars to feed
G A F# G F# Nothing could beat complete denial
G A F#
F# G F# All we do is talk, static split screens
G A F# As the homeland plans enemies
F# G F# All we do is talk, static split screens
G A F# As the homeland plans enemies
Invasion's so succexxy.... e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4------------x4------------| D|--------6------6------6------6-------6------6-----444-44-------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------|
Passive attraction, programmed reaction Passive attraction, programmed reaction Action distraction, more information Flesh saturation, lips on a napkin Ass ass ass
Bass fill e|-------------------------------------------------------------------------------------------- B|-------------------------------------------------------------------------------------------- G|-------------------------------------------------------------------------------------------- D|------------------------------------------------------------------------99-9---------------- A|--22--2/44-4/99-9-9-9----22--2/44-4/99-9-9-9----22-2/44-4/99-9-9-9----------77-7/99-9-9----- E|-------------------------------------------------------------------------------------------- e|-----------------------| B|-----------------------| G|-----------------------| D|99-9-------------------| A|----77-7/99-9-9--------| E|-----------------------|
Where does the time go? We're waking up so slowly Days are horizontal lately Out of body, watched from above Out of body, watched from above
This kicks in at 2:09 e|-----------------------|-----------------------------------------------| B|-10-10----10-12-10-----|--7-7---9-9---10-10--10-12-10------------------| G|-11-11-------------11--|--7-7---9-9---11-11-----------11-----x5--------| D|-10-10-----------------|--7-7---9-9---10-10----------------------------| A|-----------------------|-----------------------------------------------| E|-----------------------|-----------------------------------------------|
Passive attraction, programmed reaction More information, cash masturbation Follow the pattern- the hemlines, the headlines Action distraction,faster than fashion Faster than fashion,faster than fashion
F# G F# Lonesome for no one when
F# G F# The room was empty and
F# G F# War as we knew it was obsolete F# G B#m (strum slowly for full effect!) Nothing could beat complete denial Thats it, comments/suggestions welcome | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note ===============================================================================
  • A
  • F#
  • G
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Composição: Emily Haines

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