Charles Lindbergh Was A Fuck Machine

Preschool Tea Party Massacre

  • D5
    5
  • E5
  • F5
Tom:
Intro Sample Cybergrind Q=161 N.C. 4/4 Gtr I Wx8
Sample continues
D5 S S E S S E S S E S S E S S E S S E S S E S S E ||E|E|-----------|----|E|-----------||E|E|-----------|----|----------| ||oE|E|-----------|----|----------|E|E|-----------|----|----------| ||E|E|-----------|----|E|-----------||E|E|-----------|----|----------| ||E|E|-----------|----|E|-----------||E|E|-----------|----|----------| ||o-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-| ||--0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-|
F5 E5 S S E S S E S S E S S E H H
E|E|E|-----------|----|----------|E|-----------|-| | B|E|E|-----------|----|----------|E|-----------|o| | G|E|E|-----------|----|----------|E|-----------|-| | D|E|E|-----------|----|----------|-3----2-----| | A|-0-0-0-0-0-0-0-0-0-0-0-0-|-3----2----o| | E|-0-0-0-0-0-0-0-0-0-0-0-0-|-3----2-----| |
Noise N.C. F5G5D5 F5G5D5 F5G5D5 F5G5D5 W E E H. E E H. E E H. E E H.
E|----------| |E|-----------|---|E|-----------|--|E|-----------|--|E|-----------|-|| B|----------| |oE|-----------|--|E|-----------|--|E|-----------|--|E|-----------|o|| G|----------| |E|-----------|---|E|-----------|--|E|-----------|--|E|-----------|-|| D|----------| |E|-----------|---|E|-----------|--|E|-----------|--|E|-----------|-|| A|----------| |o-3s5-0-------|-3s5-0-------|-3s5-0-------|-3s5-0-----o|| E|----------| |--3s5-0-------|-3s5-0-------|-3s5-0-------|-3s5-0------||
Urrrr Q=85
D5 Gtr II PME|E|-----------|----|E|E|-----------|----|E|E|-----------|----|----------| E E E Q. E E E E E Q. E E E E E Q. E E E E E H E
E|E|E|-----------|----|-|E|E|-----------|----|-|E|E|-----------|----|-|E|-----------|---| | B|E|E|-----------|----|-|E|E|-----------|----|-|E|E|-----------|----|-|E|-----------|---| | G|E|E|-----------|----|-|E|E|-----------|----|-|E|E|-----------|----|-|E|-----------|---| | D|E|E|-----------|----|-|E|E|-----------|----|-|E|E|-----------|----|-|E|-----------|---| | A|-0-0-0------0---|-0-0-0------0---|-0-0-0------0---|-0-0-0--------| | E|-0-0-0------0---|-0-0-0------0---|-0-0-0------0---|-0-0-0--------| |
More Noise
Q=161 N.C. W W W W
Ooooghh
D5 PM PM----| PM--------| E E E E E E Q Q. S S E S S E E ||E|E|-----------|----|--|E|E|-----------|----|-----| ||oE|E|-----------|----|-|E|E|-----------|----|-----| ||E|E|-----------|----|--|E|E|-----------|----|-----| ||E|E|-----------|----|--|E|E|-----------|----|-----| ||o-0---0-0-0-0----|------0-0-0-0-0-0---| ||--0---0-0-0-0----|------0-0-0-0-0-0---| PM PM----| PM--------| E E E E E E Q Q. S S E S S E E
E|E|E|-----------|----|-|E|E|-----------|----|-------| | B|E|E|-----------|----|-|E|E|-----------|----|------o| | G|E|E|-----------|----|-|E|E|-----------|----|-------| | D|E|E|-----------|----|-|E|E|-----------|----|-------| | A|-0---0-0-0-0----|------0-0-0-0-0-0----o| | E|-0---0-0-0-0----|------0-0-0-0-0-0-----| |
"Loud noises!Outro Q=85 N.C. D5 PM PM----| PM--------| W E E E E E E Q Q. S S E S S E E
E|----------| |E|E|-----------|----|--|E|E|-----------|----|-----| B|----------| |oE|E|-----------|----|-|E|E|-----------|----|-----| G|----------| |E|E|-----------|----|--|E|E|-----------|----|-----| D|----------| |E|E|-----------|----|--|E|E|-----------|----|-----| A|----------| |o-0---0-0-0-0----|------0-0-0-0-0-0---| E|----------| |--0---0-0-0-0----|------0-0-0-0-0-0---|
PM PM----| PM--------| E E E E E E Q Q. S S E S S E E
E|E|E|-----------|----|-|E|E|-----------|----|--------| | B|E|E|-----------|----|-|E|E|-----------|----|-------o| | G|E|E|-----------|----|-|E|E|-----------|----|--------| | D|E|E|-----------|----|-|E|E|-----------|----|--------| | A|-0---0-0-0-0----|------0-0-0-0-0-0-----o| | E|-0---0-0-0-0----|------0-0-0-0-0-0------| | Duration Legend E|E|-----------|----|
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff
Tablature Legend E|E|-----------|----|-
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide
- natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash
Misc Legend E|-----------|
| - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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