Aspect Of An Old Maid

The Mendoza Line

  • Am
  • C
  • F
  • G
Tom:
C Chastised and abraded;
F So windswept and faded.
C G She wore the aspect of an old maid.
Am Well, you're still taking lovers;
F You take some further than others.
C I still can not believe how I saw behind your blinded, blotted eyes,
G But I could not get beneath your covers.
Am I've seen the old cabaret
F With the fetish's tailor.
C I've seen the morbid cachet
G Of significant failure.
Am F And I know this means so much more to me than it does to you,
Am F G But meet me back in room 417 we've still got work to do.
C F Hey, baby, I know you had that baby before you were really ready to,
C Because I've seen you hold it so timid and unsteady,
G and I've seen the fear when it looks at you.
Am And I've seen so much of your body,
F And, though you were just under 30,
C G I swore I saw on your face the aspect of an old maid.
Am And so call on your tyrant director,
F Let his cruel will be dispersed,
C Tell all my deeds to the inspector;
G I am ready for the worst.
Am F G All that hubcap stealing, marijuana dealing, high sex crimes and electric cars. [Instrumental]
C F C G Am F Am F G
C Hey painting in the crosshairs, lets you rearrange the deck chairs.
F Though you swoon and you sway, you still don't belong here.
C And it's not as if I ever really told you that I cared,
G But you know that even if I did, You still would not be spared.
Am And you're still taking long drives;
F Even the end designing needs of why.
C Oh it's so hard to know just how to dress
G For the last days of our lives.
Am I've seen the whole three act play.
F I've seen the poster and the trailer.
C I never thought i'd have to pay
G This much attention to one girl just to nail her.
Am Down as to what it was,
F C She wore the aspect of an old maid.
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