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Intro:
E|----------14-14-14-12------14-14-14-12---|   
B|---------------------15-12------------15-|   
G|-----------------------------------------|   
D|-----------------------------------------|   
A|-----------------------------------------|   
e|--------------------------------|-------|--| 


Phrase 1
E|---------14-14-14-12------14-14-14-12----|   
B|-15~~14~~-----------15-12-------------15-|   
G|-----------------------------------------|   
D|-----------------------------------------|   
A|-----------------------------------------|   
e|--------------------------------|-------|--| 


Phrase 2
E|---12----14-14-14-12-------14-14-14-12---|   
B|-15~-14~-------------15-12------------15-|   
G|-----------------------------------------|   
D|-----------------------------------------|   
A|-----------------------------------------|   
e|--------------------------------|-------|--| 

When Adam plays live he seems to start playing an octave down around the 1:28 mark –
doesn’t happen in the recording, but you can slide down to 7th fret on the B
string and carry it on there if you want to vary it up a little:

Phrase 3
E|---12----14-14-14-12-------------------|   
B|-15~-14~-------------15-12///7-7-7-5---|   
G|-------------------------------------7-|   
D|---------------------------------------|   
A|---------------------------------------|   
e|--------------------------------|-------|| 


Phrase 4
E|------------------------------| 
B|---5----7-7-7-5-----7-7-7-5---| 
G|-7~-6~----------7-4---------7-| 
D|------------------------------| 
A|------------------------------| 
E|------------------------------| 

Meanwhile, Mikey’s there in the background tremoloing away like a madman
somewhere around the 15th/14th fret on the A string. He’s pretty hard to hear,
so if you fancy playing that part then just screw around with it until you
find something you’re happy with.

Mikey’s bit
E|----------------| 
B|----------------| 
G|----------------| 
D|-----------tr14-| 
A|-tr15-tr14------| 
E|----------------| 

(y)

This continues until about 2:10, at which point both Adam and Mikey trail off to
make room for the bass. And Adam’s glorious accent.

“Retrace, all my steps…”
E|--------------------------|  
B|--------------------------|  
G|------ta| ke a break,------- 
D|----------fr| iend---------- 
A|--------------------------|  
E|--------------------------|  

Post-break, Adam seems to thrash away at Bm, A, and then a descending series of
power chords following the guitar phrase until the song winds down. Again, it’s
a little hard to hear so this is my best approximation:
E|-7-7-7-7-7-7--5-5-5-5-5-5--------------------| 
B|-7-7-7-7-7-7--5-5-5-5-5-5--------------------| 
G|-7-7-7-7-7-7--6-6-6-6-6-6--11-11-11-11-9-7-4-| 
D|-9-9-9-9-9-9--7-7-7-7-7-7--11-11-11-11-9-7-4-| 
A|-9-9-9-9-9-9--7-7-7-7-7-7--9--9--9--9--7-5-2-| 
E|-7-7-7-7-7-7--5-5-5-5-5-5--------------------| 

From live videos I’ve seen he seems to play the Bm, A and then play F#m followed
by G, with the chord base on the A string:
e|-9--10-| 

B|-10-12-
G|-11-12-
D|-11-12-
A|-9--10-| 
E|-------| 

Have a play around and see what sounds better, idk

Post-break it sounds like Mikey plays some pitchbends somewhere, but I haven’t
worked out where (most likely following the main guitar phrase). After 16 bars
he starts tremoloing:

Mikey’s second bit
e|--------------------------------|-------| 


B|-12tr///17tr///10tr///14tr/15tr///17tr-
G|---------------------------------------|   
D|---------------------------------------|   
A|---------------------------------------|   
e|--------------------------------|-------|| 

This continues until the end of the breakdown(?), where Adam starts playing the
main phrase again and Mikey plays single notes:

Mikey’s outro:
e|--------------------------------| 


B|-12~//17~//10~//14~//15~~//17~~-
G|--------------------------------|  
D|--------------------------------|  
A|--------------------------------|  
E|--------------------------------||